The most famous and influential work of English fantasy ever published, reimagined for a new generation of readers by John Matthews, one of the world's leading Arthurian experts, and illustrated by internationally acclaimed Tolkien artist, John Howe. The tales of how the boy Arthur drew the Sword from the Stone, or the love of Lancelot and Guinevere, or how the knights of the Round Table rode out in search of the Holy Grail are known and loved the world over. It all began when an obscure Celtic hero named Arthur stepped on to the stage of history, sometime in the sixth century, and oral tales led to a vast body of stories from which, 900 years later, Thomas Malory wrote the famous Morte D'Arthur. THE GREAT BOOK OF KING ARTHUR presents these well-loved stories for a modern reader, for the first time collecting many tales of Arthur and his knights either unknown to Malory or written in other languages. Here, you will read of Avenable, the girl brought up as a boy who becomes a famous knight. You will learn of Gawain's strange birth, his upbringing amongst poor folk and his final rise to the highest possible rank - Emperor of Rome. There is also the story of Morien whose adventures are as fantastic and exciting as any to be found in the pages of Malory. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. Here is the original Arthur, represented in such powerful stories as 'The Adventures of Eagle-Boy', and 'The Coming of Merlin', based on the early medieval text Vita Merlini, which gives a completely new version of the great Enchanter's story. These age-old stories, still as popular today as they were from the Middle Ages onwards, are dramatically brought to life by the luminous paintings and drawings of John Howe, whose work on the Lord of the Rings and Hobbit film trilogies has brought him a world-wide following.

By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history ... The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life. In A Philosophy of Walking, a bestseller in France, leading thinker Frédéric Gros charts the many different ways we get from A to B-the pilgrimage, the promenade, the protest march, the nature ramble-and reveals what they say about us. Gros draws attention to other thinkers who also saw walking as something central to their practice. On his travels he ponders Thoreau's eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.

Discover the creative processes and intriguing inspirations behind the work of leading fantasy artist John Howe - conceptual designer on The Lord of the Rings movie trilogy - in this comprehensive practical art book. Brings together Fantasy Art Workshop and Fantasy Drawing Workshop into a combined volume, fully updated and with new art. Examines in fascinating detail over 150 of the artist's outstanding sketches, drawings and paintings, plus the techniques and stories behind each. Leads you step-by-step through a range of specially commissioned drawing and painting demonstrations that reveal John's renowned artistic approach in action. Discusses the rewarding journey into fantasy art, from the first steps of building a compelling portfolio to book illustration, graphic novels and the big screen. This book will appeal to artists and fans of John Howe's work by leading you step-by-step through a range of specially commissioned demonstrations, sketches and finished paintings, some designed specifically for this book, that reveal John's renowned artistic approach in action, plus the techniques and stories behind each. It covers a wide range of subjects, beginning with the creative process, exploring where inspiration comes from, looking at narratives and themes, gathering reference materials, organizing your working environment, and protecting and storing artwork. Howe covers drawing materials and explores drawing and painting fantasy beings from initial inspiration and approaches to characters, symbolism and accoutrements. He begins by showing how to create different types of male and female archetypes, humans in action, armour and weapons, faces, expressions and hands, hair and costumes, and goes on to explain how to create different types of fantasy beasts: talons, wings, fangs and fire, and noble animals, interspersed throughout with exciting case studies. The book also explores fantasy landscapes and architecture and balancing light and dark atmospheres. The final section of the book provides further inspiration and guidance on presenting work in various forms, including film work, book covers and advertising, all areas John Howe has vast experience in. The foreword is written by groundbreaking film director Terry Gilliam, with an afterword by Alan Lee, John's partner on the conceptual design for The Lord of the Rings movie trilogy and Oscar-winning illustrator.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf’s lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Númenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantíri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before.

For the first time, fans of Sarah J. Maas's sweeping New York Times bestselling Throne of Glass saga can experience the vivid imagery of her expansive world. Celaena battling the ridderak in the catacombs, Chaol in the gardens of the glass castle, Manon riding her wyvern through the Crossing, and many other favourite moments, characters and objects come to life as readers explore the vibrantly detailed realm of Throne of Glass. Stunning original black and white drawings will bring fans deeper into the series than ever before - making this a must-have companion to Sarah J. Maas's beloved books.

Stunning 40th anniversary collector's edition of this collection of tales which takes readers further into stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings, housed in a matching illustrated slipcase with two removable full-colour posters unique to this edition. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf's lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father's writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before. This special collector's edition is printed on superior quality paper, features a unique special binding and ribbon marker and is housed in a custom-made, fully illustrated slipcase.

Though not without its rivals, Latin stood at the apex of Western culture from the Renaissance until relatively recently. Francoise Waquet offers an enthralling, original history of the language's uses, its detractors and defenders, and the social hierarchies its practitioners inscribed. Granted a new lease of life by the Humanists and the Catholic Church, Latin was the form in which generations of schoolchildren were taught to read, millions of people worshipped, and an international community of scholars communicated with one another. It conveyed sacredness, but also obscenity; learning, as well as pedantry; science, but also trickery and mumbo-jumbo. Few individuals even among the clergy or the most learned scholars have ever managed to speak it with any degree of correctness or fluency, let alone elegance. Why, despite rationalist criticisms that Latin was inaccessible to the great majority of people, and inconvenient and time-consuming for the rest, did it maintain such a strong presence - some would say a tyranny - for so long?

This book analyses the use of rural road networks and the causes and effects of road programmes in the areas of personal travel, education, health and poverty alleviation. It discusses the criteria which are being used for rural road selection and their impact in Egypt, India, Botswana and Thailand.

An ever-increasing proportion of our lives is spent in supermarkets, airports and hotels, on motorways or in front of TVs, computers and cash machines. This invasion of the world by what Marc Augé calls “non-space� results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Augé uses the concept of “supermodernity� to describe a situation of excessive information and excessive space. In this fascinating essay he seeks to establish an intellectual armature for an anthropology of supermodernity.

Enter an incredible world of magical beasts, dare to draw near to their captivating powers, and discover the spellbinding stories of 16 favourite mythical creatures from around the world. Venture into this world and you'll discover why griffins collect a gem called agate, how to put out dragon fire, how mischievous elves can cause terrible nightmares, and much, much more. A Miscellany of Magical Beasts is a beautiful, luxurious gift book showcasing a fascinating menagerie of creatures from the world's timeless mythologies and legends. Presented in an incredible package with spectacular cover finishes, it is sure to be treasured by fantasy enthusiasts. Each beast is beautifully illustrated with rich, enchanting artworks, accompanied by amazing facts. Five feature spreads take a different approach to each particular beast - including a gleaming guide to the world's dragons and an enchanting introduction to elf spells and tricks. Imaginative flourishes such as cutaways showing constellations (see where Pegasus's story ends), and a die-cut linking the lustrous feathers of the phoenix with those of the terrifying harpies, make this a truly inspiring exploration of some wonderfully strange creatures. List of beasts included: phoenix, harpy, griffin, Pegasus, dragons, elves, unicorn, centaur, mermaids and mermen, werewolf, troll, sphinx, basilisk, Cerberus, giant, chimera

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries. This volume of the Haskins Society Journal furthers the Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, focusing on the Anglo-Saxon, Anglo-Norman, and Angevin worlds.The topics of the essays range from the complexities of landholding and service in England after the Norman Conquest and the place of Portugal in the legal renaissance of the twelfth century, to the purpose and audiences of copiesof Anglo-Saxon charters produced by the late medieval community at Bury St Edmunds. There is an investigation of the hitherto overlooked narrative role of material objects in Orderic Vitalis'History, continuing the Journal's investigation of source-specific analyses, together with an exploration of the date and reliability of an important, but neglected, witness to the Norman conquest of Sicily. Other essays look at the longue duree of the ascetic practice of self-flagellation and its emergence in eleventh-century Italy; the place and meaning of religious practices in crusading, using the De expugnatione Lyxbonensi as laboratory; and aural and visual experience in the life and musical opus of Godric of Finchale. Contributors: Howard B. Clarke, Sarah Foot, John Howe, Monika Otter, Daniel Roach, Charles D. Stanton, Susanna A. Throop, Andre Vitoria.

It is a tale that has been retold countless times through the centuries and here, in a new paperback edition illustrated by a noted Tolkien artist, the mighty Beowulf is well set to capture new legions of followers. This contemporary retelling of the ancient epic follows the mythic hero from his disarming of the gruesome Grendel to his sword battle with the monster's sea hag mother to his final, fiery showdown with an avenging dragon.

Robespierre's defense of the French Revolution remains one of the most powerful and unnerving justifications for political violence ever written, and has extraordinary resonance in a world obsessed with terrorism and appalled by the language of its proponents. Yet today, the French Revolution is celebrated as the event which gave birth to a nation built on the principles of enlightenment...So how should a contemporary audience approach Robespierre's vindication of revolutionary terror? Zizek takes a helter-skelter route through these contradictions, marshalling all the breadth of analogy for which he is famous.

In this elegant and original book, Regis Debray argues that for two hundred years the defeats of the left have stemmed from its failure to understand what it likes to call the 'national question', while equally its successes have grown from an unacknowledged liaison with the 'unreal reality' of the nation. According to Debray, Charles DE Gaulle was no narrow nationalist. By grounding his actions in a generous philosophy of the nation he was able to wed boldness to insight: on 14 June 1940 he appointed himself leader of the free French, disregarding the overwhelming parliamentary and legal mandate according to Petain. This intuitive action was to be resoundingly vindicated in the resistance and liberation of France. This study of De Gaulle is offered as an indictment of the shallowness of contemporary politics in the West. For Debray, De Gaulle is not only the last statesman in the classic mould, he is also the first to anticipate the politics of the twenty-first century. De Gaulle's aloofness from the media and disdain for the base arts of electioneering have an exemplary quality, Debray believes, reaffirming the vocation of political leadership as something other than adapting to popular preferences or allowing professional communicators and opinion pollsters to set every agenda.

'Vice and wretchedness exist in their most appalling and hideous forms, stalking about with bold front, unblushingly, as though vice were virtue.' For the middle-class moralists and reformers of Victorian London, poverty was synonymous with depravity: their descriptions of the urban working classes portray a swarming, undifferentiated mass, impoverished and immoral. In the absence of written accounts by the poor themselves, these nineteenth-century prejudices still cloud our understanding of popular attitudes to sensuality and courtship, marriage and pregnancy. Love in the Time of Victoria overturns these prejudices by presenting and analyzing an extraordinary range of hitherto unpublished first-hand documents: love letters and testimonies from working-class women who faced pregnancy alone, and from their suitors, relatives and employers. These unique and moving writings provide the fullest and most accurate picture to date of love and sex among the poor in Victorian London. Francoise Barret-Ducrocq has painstakingly uncovered autobiographical fragments which show women and men who are neither depraved nor unusually virtuous. They meet in the course of their work, in the streets or through family and friends; they seek romance in parks and pubs, servants' attics or rented rooms. The women's own records of their relationships resonate with all the singularities of desire, passion and regret, and they reveal a wide range of responses to separation or abandonment. For, despite their limited options, these women continued to exercise real choice. Their words vividly bring to life the material and emotional conflicts of the poor in nineteenth-century London. This remarkable book restores dignity and individuality to its subjects, but never idealizes them. The stories here contain cynicism and tenderness, cruelty and generosity. As the author says, this is history amazingly like real life.

Historians typically single out the hundred-year period from about 1050 to 1150 as the pivotal moment in the history of the Latin Church, for it was then that the Gregorian Reform movement established the ecclesiastical structure that would ensure Rome's dominance throughout the Middle Ages and beyond. In Before the Gregorian Reform John Howe challenges this familiar narrative by examining earlier, "pre-Gregorian" reform efforts within the Church. He finds that they were more extensive and widespread than previously thought and that they actually established a foundation for the subsequent Gregorian Reform movement. The low point in the history of Christendom came in the late ninth and early tenth centuries-a period when much of Europe was overwhelmed by barbarian raids and widespread civil disorder, which left the Church in a state of disarray. As Howe shows, however, the destruction gave rise to creativity. Aristocrats and churchmen rebuilt churches and constructed new ones, competing against each other so that church building, like castle building, acquired its own momentum. Patrons strove to improve ecclesiastical furnishings, liturgy, and spirituality. Schools were constructed to staff the new churches. Moreover, Howe shows that these reform efforts paralleled broader economic, social, and cultural trends in Western Europe including the revival of long-distance trade, the rise of technology, and the emergence of feudal lordship. The result was that by the mid-eleventh century a wealthy, unified, better-organized, better-educated, more spiritually sensitive Latin Church was assuming a leading place in the broader Christian world. Before the Gregorian Reform challenges us to rethink the history of the Church and its place in the broader narrative of European history. Compellingly written and generously illustrated, it is a book for all medievalists as well as general readers interested in the Middle Ages and Church history.

This is a history of Latin between the 16th and 20th centuries, a period when the language dominated the civic and sacred worlds of Europe and, arguably, the entire Western world. The book explores the institutional contexts in which the language was adopted and transmitted, as well as the privilege it came to confer on those that studied it. Waquet demonstrates how Latin became a symbol of status and ultimately shows that, rather than disappearing, this has given way to a nostalgic exoticism such that water companies and car models now use Latin names.